When you hear a song, you hear all the component parts together, the drums, bass, guitars vocals, keyboards, horns, special effects if any, etc.
When you hear a single instrument out of context, it has a different appeal, and is often strikingly different than it sounds settled inside the “mix” of the final song.
The slide guitar work by Duane Allman for the classic Eric Clapton hit “Layla” is a great example of the very different sound one hears when comparing the individual instrument track to the song, fully mixed.
“Layla” is a song written by Eric Clapton and Jim Gordon, originally released by their blues rock band Derek and the Dominos, as the thirteenth track from their album Layla and Other Assorted Love Songs (November 1970). It is considered one of rock music’s definitive love songs, featuring an unmistakable guitar figure played by Eric Clapton and Duane Allman, and a piano coda that comprises the second half of the song. Its famously contrasting movements were composed separately by Clapton and Gordon.” – source
This video is Duane Allman’s slide guitar pulled out, separate from the full mix:
Now compare it to the full song, and you’ll see what an amazing difference you achieve in the full-mix.
This contrast may help you understand and even “feel” the importance of the role of mixing the recording so that all parts meld into a pleasant recording.
The classic country-folk love song “The Remains″ written by Peter Mayer, performed by Rick McCargar can be streamed on rdio.com, and spotify and more, or downloaded from iTunes, CD Baby or Bandcamp.com from the links below.
Thank you for listening and all your support! Rick
Having survived two-strokes and a heart-attack, I figured I’d better get around to doing the one thing I’ve always wanted to do; write, record and publish a few songs. My first song is about the way people in our lives impact our relationships with the things “They Say”. And don’t worry, you’ll have a chance to buy it below the video! Ha!
Fully story is below the video:
THIS VIDEO IS THE NEW “REMASTERED” VERSION OF THE SONG!
What a journey this has been! From a prognosis of an early death, to writing, copyrighting, recording and publishing my first song at age fifty-six. But first, a little background.
In November of 2004, age forty-seven, I experienced two strokes and a heart attack, and was told I’d be lucky to live three months. I couldn’t read, make new memories, and had poor control of my left hand and arm.
To further complicate matters, I’ve spent a lifetime struggling with the problems associated with being manic-depressive (cannot thank supportive family and friends enough).
Beyond the obviously more important family related trauma and issues, guitar playing, which had been a life-long passion, was out.
Family flew in from around the country to say goodbye, and then I waited….waited some more, took all the meds, did what the doctors suggested, and got my affairs in order. And..continued to wait.
Crazy part of the story…I didn’t die.
By late 2011, I was still kicking, could read (though still made difficult because of the mania and depression) but still couldn’t play guitar, so I decided to work on playing a single note, then one more with the next finger on the next fret.
Working on that for months, without realizing it, I was busy rewiring my brain.
I started to record my progress playing guitar, and to watch for problems or signs of another stroke.
With time, the videos started to become a bit longer, less amateurish, so I decided to start posting the licks, solos and songs I was relearning, with the hope that they would be of use to beginners, and that it would help me maintain the drive to practice.
Fast forward to 2014, and I have 1660 followers on my youtube channel, and over 445,000 views. It seems crazy. I’ll likely never perform live, because I forget all too many pieces after relearning them, but I have them recorded, so it’s progress.
Best of all, I’m alive to see my children have children, and get to play with my grandchildren.
In February, I made the decision to write a simple song, and do something I’ve always wanted to do…work with Abbey Road Studios in London.
Without the funds to actually fly to London and record using their studio, I did the only thing I could, to make it happen; I recorded it using the microphone on my ZOOM Q3HD video camera, and then sent it to Simon Gibson of Abbey Road Online Mastering to have it mastered.
Simon was the man charged with remastering the entire Beatles catalog, so I was excited.
I know you can’t make a silk-purse out of a sow’s ear, and that at fifty-six, I’m pretty old to be an amateur singer and guitarist, but Mr. Gibson would be the one man who could make the most of the simple recording.
Having already built a world-wide semiconductor company and lost everything, hated sky-diving but did it, gone white-water rafting and hang-gliding and learned to race cars, I figured the worst that could come of this new endeavor is that nobody would enjoy my song, but that I would have once more, followed my dream wherever it took me.
It truly is the journey, and not the destination. Make sure to die with few regrets, leave no stone unturned… apparently, before your eyes, I’m becoming cliche man.
Now, I’d like to share the quote by which I’ve lived my life. It was an excerpt from a speech given by Teddy Roosevelt; “Citizenship In A Republic” delivered at the Sorbonne, in Paris, France on 23 April, 1910:
It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat.
As I own all my successes and my failures, whatever happens here, with this song, is okay with me. It’s a challenge, and an experience about which I’ve dreamed. They can only get better with practice.
Most everyone who has ever been in a relationship has had people tell them that the person is not right for them. They Say the person is wrong for you, They Say this, they say that..they meddle with and in your relationship, and it has an affect. So my first song is about life and relationships. It’s brief. Much more so than this post.
The song is titled: They Say. Below, you’ll find the video, and following that there is another link to purchase and download an MP3 from cdbaby.
But before you go, thank you for taking part in this new phase of my life! I can’t thank you all enough.
I wish you the best of luck, and by luck, I mean those things we do to increase opportunities for ourselves!
Well, here’s that second, fleeting chance to buy the MP3 for every bit of $0.99 on cdbaby. I sure appreciate all the support the community has given freely over the past two years, thank you!